The most obvious cultural marker is the title of each chapter, written in both English and Spanish. The titles, interestingly, are not about the upcoming events in the story, they are fruits from the various seasons that Esperanza experiences. For example, two of the chapters are titled Las Guayabas (guavas) and Las Ciruelas (plums). Miguel often refers to Esperanza as mi reina or my queen. Mija (a shortened form of mi hija) is a term of endearment that is used by Esperanza's mom for her. Another example is the word vaqueros, Spanish for the cowboys or ranch workers. Throughout the entire work, Spanish words are dropped in intermittently, not in a way that detracts but actually adds to the story being told.
Ryan demonstrates the prejudice that took place in the campesinos - camps - without preaching or being overly dramatic with little things such as noting that the Mexican camps did not have hot water but the workers from Oklahoma did. At one point Miguel shares with Esperanza that "Americans see us as one big, brown group who are good for only manual labor." At various times the story is infused with instances such as these that add to the authenticity of the story.
Other cultural markers noted were foods more traditional in Mexican homes such as papaya, coconut, lime, tortillas, cantaloupe, chorizo and cafe'. The construction of the little shrine to Our Lady of Guadalupe alludes to the family's Catholic faith. Also references to skin color can be noted such as when the doctor comes to check on Esperanza's mother. He is "...American, light and blond," as opposed to the main characters who have a browner complexion.
School Library Journal: "Ryan uses the experiences of her own Mexican grandmother as the basis for this compelling story of immigration and assimilation, not only to a new country but also into a different social class."
AWARDS:
2002 Pura Belpre Award Winner
2001 ALA Best Books for Young Adults
2000 Smithsonian Notable Books for Children
2000 Publishers Weekly Best Book of the Year
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